Performance on the Robb symposium at the University of New Mexico in Albuquerque
Including
John Donald Robb - Guitar concerto, in piano reduction (premiere performance)
Reiko Füting: wand-uhr: invisible shadows/Hine Ma Tov
Tania Leon: Paisanos Semos
Christopher Orphal: Quartertone Studies #1-5 (premiere performance)
Doug Falk: Heterogeneity (premiere performance)
Solo concert for US Classic Guitar
music by J.S. Bach, Reiko Füting, Tania Leon, and a premiere of a new work by Nirmali Fenn
Private residence in the Mar Vista area of Los Angeles, more info and tickets at attached link
https://www.usclassicguitar.org/collections/special-20th-anniversary-season-ticket-pre-sale-offer/products/daniel-lippel-concert-tickets-los-angeles
Juan Pablo Carreno: Garras de Oro on Philadelphia Organ Festival
work for organ, clarinet, e. gtr, and ensemble with film
Congregation Rodeph Shalom, N. Broad Street, Philadelphia, PA
J.S. Bach: Coffee Cantata BWV211
with On Site Opera
in an arrangement for flute, violin, guitar, and cello by Geoff McDonald
The Lost Draft cafe, Broome Street, Manhattan
Hypercube at University of Virginia
subbing with Hypercube quartet for a performance of student works at U. of Virginia in Charlottesville
Solo performance at U. of Oregon
Douglas Boyce: Partita #3
Bach: BWV997 Suite in C minor
Tania Leon: Paisanos Semos
student works
The highlight of this solo guitar program is a work by composer Douglas Boyce, who dedicates his Partita No. 3 (“La Comète”) to UC Davis Associate Professor Claire Goldstein in the Department of French and Italian. The musical work is done in conversation with Goldstein’s forthcoming book, “In the Sun King’s Cosmos: Comets in the Cultural Imagination of Seventeenth-Century France” (Northwestern University Press, 2024).
Also on the program, Bach's BWV997 Suite in C minor
Solo performance at Santa Clara University
Santa Clara, CA
Douglas Boyce: Partita #3
Tania Leon: Paisanos Semos
Gary Philo: Meditation
J.S. Bach: BWV997 Suite in C minor
Lecture on contemporary chamber works for the guitar department at San Francisco Conservatory of Music
counter)induction plays on the Music on the Edge series at the Bellefield Hall Auditorium
including Kyle Bartlett's Before for bass clarinet, guitar, and cello
Douglas Boyce's Ars Poetica for poet, violin, cello, and guitar