Guitarist Dan Lippel gave a precise, sensitive rendition of Leo Brouwer’s 1973 “Parabola,” the Cuban composer at his most modernistic, his heritage only implied by his idiomatic fluency with the instrument.
"The first thing that hit me and what is important to note straight off is the remarkable classical guitar performances by Daniel Lippel. He has a very beautiful tone, righteous phrasings and a kind of transcendent way of sounding his parts. I sometimes while listening forget it is even a guitar, it is so musically right, the technique so solidly put in the service of the music itself."
"Lippel manages this quite well. “Aufenthalt” storms angrily, “Die Post” dances jauntily (but doesn’t fail to catch the note of despair in poet Wilhelm Müller’s lonely lover), and “Ständchen”is simply irresistible. Lippel’s is a strong performance that will reward the listener."
"Mario Davidovsky's Synchronisms #10 for guitar and tape was performed with exceptional lucidity by Daniel Lippel."
“These performances definitely have a live feel, though there's no sense of the facile- only depth caught on the wing. Sometimes Lippel dwells indulgently in the moment, as in the Grave of the A minor Sonata or the Sarabande of the A major Suite; at other times the music is allowed to flow naturally, as in the final movements of those works. Looseness and tension are fluently articulated within a flexible, expressive framework. An impressive release, then. Not a definitive statement- nor is it meant to be. Full marks to Lippel for daring to show a little humanity”
Guitarist Daniel Lippel, called an “exciting soloist” (New York Times), “precise and sensitive” (Boston Globe) has carved out a unique and diverse career that ranges through solo and chamber music performances, innovative commissioning and recording projects, and performances in diverse contexts. He has premiered more than fifty new solo and chamber works, many written for him, recording several on the independent label he co-founded and directs, New Focus Recordings. Lippel has been a member of the International Contemporary Ensemble (ICE) since 2006, recently joined new music ensemble counter)induction in 2019, and was a founding member of new music quartet Flexible Music during its active period from 2003-2015. He has also been a guest with many other ensembles including the St. Paul Chamber Orchestra, New York New Music Ensemble, New York City Opera, Either/Or Ensemble, Dinosaur Annex, Wavefield Ensemble, and the Wet Ink Ensemble. Recent performance highlights include recitals at Le Poisson Rouge (NYC), the Sinus Ton Festival (Germany), National University of Colombia in Bogota, Lawrence University (Wisconsin), and the New York Classical Guitar Society's Salon Series, and chamber performances on the Macau Music Festival (China), Ottawa Chamber Festival, Mostly Mozart Festival at Lincoln Center, Ojai Festival, and at Teatro Amazonas (Manaus, Brasil), Sibelius Academy (Finland), and Zankel and Weill Halls at Carnegie Hall. Lippel has worked closely with many eminent composers including Mario Davidovsky, Ursula Mamlok, John Zorn, George Lewis, and Nils Vigeland.Read More
Bodies Electric electric guitar ensemble plays music by Zappa, Varese, Kyle Miller, William Anderson, Paula Matthusen, David Claman, and others as part of the Village Trip festival
with William Anderson, Oren Fader, John Chang, Kyle Miller, Adam NegrinVillage Trip event page
International Contemporary Ensemble plays Jessie Cox's "Black as a Hack for Cyborgification" (2020), an open instrumentation work bringing musicians and audience members on a sonic journey amongst planets. Each score represents a different environment – Jupiter, the sun, a star, etc. – where hand-calligraphy is intertwined with poetry and computer code, reflecting on identity, technology, and celestial bodies.Facebook inviteEvent Brite
Solo recital, works by Bach, others TBD
Canyon Ranch, Lenox, MA