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Guitarist Dan Lippel gave a precise, sensitive rendition of Leo Brouwer’s 1973 “Parabola,” the Cuban composer at his most modernistic, his heritage only implied by his idiomatic fluency with the instrument.

Matthew Guerrieri (Boston Globe)

"The first thing that hit me and what is important to note straight off is the remarkable classical guitar performances by Daniel Lippel. He has a very beautiful tone, righteous phrasings and a kind of transcendent way of sounding his parts. I sometimes while listening forget it is even a guitar, it is so musically right, the technique so solidly put in the service of the music itself."

Gapplegate Classical Modern Music Review (Grego Edwards)

"Lippel manages this quite well. “Aufenthalt” storms angrily, “Die Post” dances jauntily (but doesn’t fail to catch the note of despair in poet Wilhelm Müller’s lonely lover), and “Ständchen”is simply irresistible. Lippel’s is a strong performance that will reward the listener."

Ken Keaton (Classical Voice of North America)

"Mario Davidovsky's Synchronisms #10 for guitar and tape was performed with exceptional lucidity by Daniel Lippel."

Mark Barry (Pittsburgh Tribune Review)

"Abandoned Time gives us another chance to hear modern guitar polymath, Dan Lippel, this time backed by the stellar International Contemporary Ensemble. Lippel and ICE put their hearts into this project, delivering expressive, detailed, and precise interpretations."

Guitar Review (Ian Antonio)

About

About Daniel Lippel

Guitarist Daniel Lippel, called an “exciting soloist” (New York Times), “precise and sensitive” (Boston Globe) and a "modern guitar polymath" (Guitar Review) has carved out a unique and diverse career that ranges through solo and chamber music performances, innovative commissioning and recording projects, and performances in diverse contexts. He has premiered more than fifty new solo and chamber works, many written for him, recording several on the independent label he co-founded and directs, New Focus Recordings. Lippel has been a member of the International Contemporary Ensemble (ICE) since 2006 and Flexible Music since 2003 and has been a guest with many other ensembles including the St. Paul Chamber Orchestra, New York New Music Ensemble, New York City Opera, Either/Or Ensemble, Dinosaur Annex, and counter)induction. Recent performance highlights include recitals at Le Poisson Rouge (NYC), the Sinus Ton Festival (Germany), National University of Colombia in Bogota, Lawrence University (Wisconsin), and the New York Classical Guitar Society's Salon Series, and chamber performances on the Macau Music Festival (China), Mostly Mozart Festival at Lincoln Center, Ojai Festival, and at Teatro Amazonas (Manaus, Brasil), Sibelius Academy (Finland), and Zankel and Weill Halls at Carnegie Hall. Lippel has worked closely with many eminent composers including Mario Davidovsky, Ursula Mamlok, John Zorn, and Nils Vigeland. 

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