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Guitarist Dan Lippel gave a precise, sensitive rendition of Leo Brouwer’s 1973 “Parabola,” the Cuban composer at his most modernistic, his heritage only implied by his idiomatic fluency with the instrument.

Matthew Guerrieri (Boston Globe)

"Lippel manages this quite well. “Aufenthalt” storms angrily, “Die Post” dances jauntily (but doesn’t fail to catch the note of despair in poet Wilhelm Müller’s lonely lover), and “Ständchen”is simply irresistible. Lippel’s is a strong performance that will reward the listener."

Ken Keaton (Classical Voice of North America)

"Mario Davidovsky's Synchronisms #10 for guitar and tape was performed with exceptional lucidity by Daniel Lippel."

Mark Barry (Pittsburgh Tribune Review)

"Guitarist Dan Lippel was simply brilliant, knowing exactly when to thrust above the string quartet and when to melt into its textures."

Boston Musical Intelligencer (Peter Van Zandt Lane)

"Abandoned Time gives us another chance to hear modern guitar polymath, Dan Lippel, this time backed by the stellar International Contemporary Ensemble. Lippel and ICE put their hearts into this project, delivering expressive, detailed, and precise interpretations."

Guitar Review (Ian Antonio)

About

About Daniel Lippel

Guitarist Daniel Lippel, called an “exciting soloist” (New York Times), “precise and sensitive” (Boston Globe) and a "modern guitar polymath" (Guitar Review) has carved out a unique and diverse career that ranges through solo and chamber music performances, innovative commissioning and recording projects, and performances in diverse contexts. He has premiered more than fifty new solo and chamber works, many written for him, recording several on the independent label he co-founded and directs, New Focus Recordings. Lippel is the resident guitarist for two critically acclaimed new music groups: the International Contemporary Ensemble (ICE) since 2005 and new music quartet Flexible Music since 2003, and has been a guest with many ensembles including the St. Paul Chamber Orchestra, New York New Music Ensemble, Either/Or Ensemble, Dinosaur Annex, and counter(induction. Recent featured solo appearances include a performance of his new version of Reich's Electric Counterpoint at The Greene Space at WNYC/WQXR, the premiere of Dai Fujikura's Sparking Orbit in Karlsruhe (Germany), a performance of Rodrigo's Concierto de Aranjuez in Riverside, CT, and recitals for the Sinus Ton Festival (Germany), University of Texas at San Antonio, Tangents Guitar Series (San Francisco), and the Cleveland, Philadelphia, and Triangle (N.C) guitar societies. As a chamber musician, Lippel has performed at the Macau Music Festival (China), Teatro Amazonas (Manaus, Brasil), Sibelius Academy (Finland), Acht Brücken Festival (Cologne, Germany), the Mostly Mozart Festival at Lincoln Center, and Zankel and Weill Halls at Carnegie Hall. Lippel has worked closely with many eminent composers including Mario Davidovsky, John Zorn, Ursula Mamlok, and Nils Vigeland, and performed works by Kaija Saariaho, George Crumb, Louis Andriessen, Magnus Lindberg, and George Lewis with the composers in attendance. 

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