Daniel Lippel, an exciting soloist and a key member of the International Contemporary Ensemble, plays above, among and alongside his colleagues, fluttering and roaring in works that allude to Mr. Fujikura’s Japanese heritage while also asserting his cosmopolitan style.
Guitarist Dan Lippel gave a precise, sensitive rendition of Leo Brouwer’s 1973 “Parabola,” the Cuban composer at his most modernistic, his heritage only implied by his idiomatic fluency with the instrument.
"Lippel manages this quite well. “Aufenthalt” storms angrily, “Die Post” dances jauntily (but doesn’t fail to catch the note of despair in poet Wilhelm Müller’s lonely lover), and “Ständchen”is simply irresistible. Lippel’s is a strong performance that will reward the listener."
"Mario Davidovsky's Synchronisms #10 for guitar and tape was performed with exceptional lucidity by Daniel Lippel."
"Abandoned Time gives us another chance to hear modern guitar polymath, Dan Lippel, this time backed by the stellar International Contemporary Ensemble. Lippel and ICE put their hearts into this project, delivering expressive, detailed, and precise interpretations."
Guitarist Daniel Lippel, called an “exciting soloist” (New York Times), “precise and sensitive” (Boston Globe) and a "modern guitar polymath" (Guitar Review) has carved out a unique and diverse career that ranges through solo and chamber music performances, innovative commissioning and recording projects, and performances in diverse contexts. He has premiered more than fifty new solo and chamber works, many written for him, recording several on the independent label he co-founded and directs, New Focus Recordings. Lippel is the resident guitarist for two critically acclaimed new music groups: the International Contemporary Ensemble (ICE) since 2005 and new music quartet Flexible Music since 2003, and has been a guest with many ensembles including the St. Paul Chamber Orchestra, New York New Music Ensemble, Either/Or Ensemble, Dinosaur Annex, and counter(induction. Recent featured solo appearances include a performance of his new version of Reich's Electric Counterpoint at The Greene Space at WNYC/WQXR, the premiere of Dai Fujikura's Sparking Orbit in Karlsruhe (Germany), a performance of Rodrigo's Concierto de Aranjuez in Riverside, CT, and recitals for the Sinus Ton Festival (Germany), University of Texas at San Antonio, Tangents Guitar Series (San Francisco), and the New York, Cleveland, Philadelphia, and Triangle (N.C) guitar societies. As a chamber musician, Lippel has performed at the Macau Music Festival (China), Teatro Amazonas (Manaus, Brasil), Sibelius Academy (Finland), Acht Brücken Festival (Cologne, Germany), the Mostly Mozart Festival at Lincoln Center, and Zankel and Weill Halls at Carnegie Hall. Lippel has worked closely with many eminent composers including Mario Davidovsky, John Zorn, Ursula Mamlok, Charles Wuorinen, and Nils Vigeland, and performed works by Kaija Saariaho, George Crumb, Louis Andriessen, Magnus Lindberg, and George Lewis with the composers in attendance.Read More
Aidan Plank, bass
Dan Bruce, electric guitar
D. Lippel, nylon string guitar
improvisations and original compositions
121 Ludlow Street, NY NY
April 7, 2017 | 8:00pm
Brooks-Rogers Recital Hall
54 Chapin Hall Dr
ICE's debut at Williams College features a piece drawn from ICEcommons, the ensemble's open composer submission database: Ann Cleare's the square of yellow light that is your window.
Erin Gee: Mouthpiece XXIV for saxophone
Georges Aperghis: Rasch for viola and soprano saxophone
Laszlo Dubrovay: Sei: Duo for Violin and Percussion
Ann Cleare: the square of yellow light that is your window
Ileana Velazquez: New Work for violin and piano
Miranda Cuckson, violin
Ross Karre, percussion
Daniel Lippel, guitar
Ryan Muncy, saxophone
Jacob Greenberg, piano
ICE performs on the MARS Festival
Wen Liu- new work
Jorge Sanchez Chiong- Wrestling Samoa
Chaya Czernowin - Sahaf
Clemens Gadenstatter - Iconosonics III
Angel City Brewery, 4.21.17 @9pmMARS festival FB page